“I got to see the sadness in the world,” he says. Once a stripper himself, Brennan recalls giving lap dances to widows, some in their seventies, who only wanted his conversation. A scar runs across his abdomen, and he wedges a hand into his pocket as if to will himself into insouciance. He shoots a man named Brennan standing shirtless in the bathroom, his hair delicately combed, his brow knit in anxiety and vague concern. “As a straight man, I find male nudes quite powerful and vulnerable, because, most men, they like to be nude in a sexual context, but outside of that they don’t like it at all,” Buck said. In Buck’s photos, many of the partners of dancers are shown topless or nude. “It’s definitely helped her self-esteem a lot,” Karley says, “because people are literally paying hundreds of thousands of dollars just to look at her butt.” She reveres Emma’s broadmindedness and attributes it, in part, to her profession. Karley says that she lived under a bridge as a teen-ager and rode across the country on freight trains. Karley, from New Orleans, holds her partner, Emma, on piggyback during a downpour, her feet submerged in water, as Emma sticks her tongue out to catch the rain. to gain that personal satisfaction without crossing those boundaries.” He always makes sure, he says, that there’s something for Gabriella to eat when she gets home. “And let’s say she has her moment with them as she works. “I don’t exactly have a muscular physique, and sometimes some of her customers at the club do,” he says. He says that he understands the pleasure she might derive from her work. His girlfriend’s name, Gabriella, is tattooed over his heart, and he’s gazing almost seductively into the camera. One man, Jerrod-all of the subjects are referred to only by their first names-reclines on a bed wearing a leopard-print shirt that’s open down to his sternum.

(“I photographed George McGovern in a Speedo-you’d be shocked what people would do for a photograph, if you ask the right way,” he told me.) His portraits in “Gentlemen’s Club” embody the clashing realities of the strip club: posed but never unnatural, the pictures are, by turns, playful, tender, brazen, and inscrutable. Presidents, elicits blinding candor from his subjects. Buck, an accomplished portraitist known for his work with celebrities and politicians, including four U.S.

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